Katsuhiro Otomo Exhibition 大友克洋 GENGATEN

The other week I posted about Katsuhiro GENGATEN exhibition at 3331 Arts Chiyoda.
Amazing work. Sadly pictures weren't allowed in the exhibition, but I was able to get a shot of this:

Coming to Tokyo? Katsuhiro Otomo Art Exhibition - Starts April 9th

Celebrated but at the same time underrated manga artist and animation director, (my favorite Japanese animation director) Kastuhiro Otomo will have an exhibition of his original art at 3331 Arts Chiyoda starting April 9th and continuing on to May 30th.

The exhibition entitled, Katsuhiro Otomo Gengaten will feature the history of Otomo's artwork (3,000 original sketches) as well as 2,500 first time released pieces from his most globally recognized work, Akira. It will also premiere his new artbook, Otomo Katsuhiro Artwork KABA2.

Tomorrow marks the 1st anniversary of the 3/11 Tohoku Earthquake and Tsunami Disaster otherwise known as Great East Japan Earthquake. 30% of the event proceeds will go to donations for relief and aid still needed in those areas.

Anime? Anyone?

Living in Tokyo, Japan has granted me some folly as well as wisdom. It killed a lot of very erroneous, preconceived notions about Japan and Japanese culture. And it heightened my appreciation for the many good things Japan has to offer.

Despite what one would think, however, living in Japan has made me develop an almost irrational and pathological dislike for Japanese Anime.

I never thought the day would come, because it seems like only yesterday I regarded Japanese animation almost as the "second coming" in terms of what it had to offer the animation medium.

Todd McFarland (comic artist of Spider-Man and Spawn fame) summed up Japanese animation best for me as I paraphrase: "Japanese animation has mastered giving you the impression a lot is happening, when it really isn't."

Animation in general is very expensive. Japanese animation studios have mastered holding people's attentions with extremely limited animation (held poses, talking heads on static bodies that almost never move, animation sometimes done on 4's, 8's and 12's) BUT holding everything together with simple, but solid draftsmanship, action scenes that ARE animated quite well and dynamically, and reasonably compelling and mature plotlines.

I feel it has been the draftsmanship and the plotlines that has made the world go ape over Japanese animation over the past few years.

Japanese anime can be like "moving manga" (not a far stretch from the old Marvel Superheroes cartoons from the 1960's for those who know). The Japanese animation way is more concerned with presenting a graphic image rather than putting forth a convincing acting "performance" ala "Disney".

Is there good Japanese animation? Hell, yes. Katsuhiro Otomo is still number one in my book. Yes, Hayao Miyazaki is a true artist and visionary. Japanese animation has its place in the world as a viable medium and it deserves appreciation on it's own special merits.

Personally I'm glad that there is a huge fan base for Japanese animation in this digital age of CG animation. (which from looking at recent B.O. sales seems to have been losing it's "wow"-factor steam unless it has "Pixar" or "Dreamworks" on the billing) Japanese Anime serves as an example that there are those who still have a huge interest and appreciation for traditionally hand-drawn animation.

Sad to hear that in the past couple of years that DVD sales for Japanese animation has plummeted (as interest in the medium continues to rise). Let's face it, video piracy is to blame here. The majority of the consumers who are into anime are not the types to go out to the local video store for the newest anime when they can get it online for free. Not a good thing.

Found an interesting story from the Wall Street Journal on how the animation business in Japan hasn't been doing so well, and those who love the art of animation who are willing to endure during these tough times.